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During production, one's job is essentially to serve the director. He is there from start to finish and is the longest-serving member of the crew. He'll cast, find and hire a director, raise the money and manage the production, and perhaps supervise the release. You have to make an argument that's attractive to an investor, which is what Paramount, MGM and all the rest of them are. The producer decides what makes a good story and then has to convince a few other people as well, including someone who's going to put up many millions.

He'll do that from the beginning by finding material to make a film. 'A producer is a man who causes a film to be made. The role of a producer is less well-known than that of the director. Here, Michael tells us about his celebrated career and his thoughts on the film industry today. And in 1982 he produced arguably his best-known film, a box office flop starring Harrison Ford which would later become a certain science fiction classic – Blade Runner. When British Lion Films was sold to EMI Films, Michael and fellow producer Barry Spikings took over management, producing 1970s blockbusters including Convoy (1978), Death on the Nile (1978), Warlords of Atlantis (1978) and The Deer Hunter (1978). He also produced The Man Who Fell to Earth (1976), starring David Bowie. In 1973, he took over British Lion Films as Managing Director, and later became its owner, overseeing the release of Don't Look Now (1973) and cult classic The Wicker Man (1973). As an independent producer in the late 60s, Michael scored a big hit with The Italian Job (1969). He became General Manager and Producer of London production company Woodfall Films in the early 60s, which produced Oscar-winning film Tom Jones (1963) and the Palme d'Or-winning The Knack. He was paid the same as he'd been paid 'to be shot at in Malaysia', he says, and 'within months it was clear that it was terrific fun.' Working his way up from the cutting rooms, he started to produce short films in his spare time, with Peter Sellers and Spike Milligan starring in his first production in 1956. Michael stumbled into the world of film on his return from national service in Malaysia, after a chance conversation with a friend of his mother's led to a job offer of second assistant editor at a company run by Douglas Fairbanks Jr. In this new interview, the London-born veteran Hollywood producer explores the business of filmmaking and reveals what it's like to work with Ridley Scott. But without Michael's hands-on approach we wouldn't have celebrated films The Italian Job (1969), The Deer Hunter (1978) or Blade Runner (1982). 'He's there from start to finish and is the longest-serving member of the crew.' Where the new Hollywood era of the 1970s created an iconic image of directors, it left the role of producer less well known.

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'A producer is a man who causes a film to be made,' says Oscar-winning movie producer Michael Deeley.

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